Mohit Bansal Chandigarh

Not every drizzly or rainy day is energizing, but it is much worse when your time is restricted to visit a location or participate in an outdoor activity. There are, however, golden possibilities that really function well on cloudy days and produce better lighting conditions that you can take advantage of in between all of these periods of poor weather. Occasionally, the world looks monotonous, lifeless, and flat. It is pointless to complain about the current state of affairs since that is the way things are. Okay, you may whine if you have a shoot for a swimsuit calendar and require a sunny beach.

Mohit Bansal Chandigarh

Instead of letting the monotony of the situation cause your thoughts to glaze over, sit with it. Examine your surroundings with extreme scrutiny and note what looks and is different in this light. Photography is all about light, and you have light; to use it, you must adopt a different approach. According to Mohit Bansal Chandigarh, “Understanding the subtle differences between a bright, sunny day and a cloudy day might help you develop a more analytical approach to light in your photography.”

Learn About the Basics of Manual Exposure

Mohit Bansal Chandigarh

Here is one of the most significant landscape photography (and photography in general) tips you will ever learn. Familiarize yourself with the exposure triangle (shutter speed, aperture, and ISO) using Manual Mode on your DSLR or mirrorless camera. Each is quantified by a number and influences the amount of light entering the lens. Here are their fundamental descriptions:

  • Shutter Speed – Determines how quickly or slowly the shutter shuts to stop image capturing when the shutter button is pressed.
  • Aperture – The theoretical value stated as an f-number or “stops” that determines the size of the lens iris opening, controlling the quantity of light entering the lens and influencing the depth of focus.
  • ISO Level: Indicates the sensitivity of the camera to available light.

You can adjust each of them on your camera, and the correct combination will help you get the ideal exposure for a photograph. As a result, whether you’re taking photographs during the day or wanting to capture amazing nighttime cityscapes, you will be able to select the appropriate settings after you comprehend how these three interact and influence one another.

Utilize Filters

Mohit Bansal Chandigarh

Photographers often employ two distinct types of camera lens filters to improve their photos. One is the polarizing filter, which controls reflections, reduces glare, and darkens the sky to a deep blue to make clouds stand out. The other filter is a neutral density filter, which blocks a certain amount of light from entering the lens so that longer shutter speeds, larger apertures, and/or higher ISO settings may be used without overexposing the image.

Polarizing filters boost the colors and general quality of landscape images immediately. To get the most out of the ND filter for standard landscape photography approaches, some adjustments may be necessary. If you’re on a tight budget, we recommend purchasing a circular polarizer and then a neutral density (ND) filter in order to experience motion blur effects and catch those silky smooth streams.

Black-and-white photography capturing reflections

Mohit Bansal Chandigarh

Visualizing and photographing urban areas in black and white is always difficult, but on dreary, overcast days, it is even more difficult. However, if done correctly, it may result in stunning images and be a unique way to convey your subject matter. Experiment with your shutter speed or f-stops to see if you can produce a rainy effect or great zoomed details with foggy backgrounds and your subject with raindrops or rain-focused effects. Additionally, musings on rainy days are what make them enjoyable! You may truly concentrate on the rain’s reflections and other effects. Again, experiment with the creative controls on your camera or set it to some of the better-functioning preset settings.     

Contemplate the grayscale

With all the beautiful colors we see in the world, I believe the thing we dislike most about dreary weather is that it restricts our color palette. Or so we believe. Even if the colors are not as vibrant as they are in broad sunlight, you still have a variety of possibilities. The grayscale and zone system has arrived. This page serves as an introduction. The concept is that various colors and patterns are highlighted differently in grayscale.

Even composition should vary slightly when grayscale photographs are considered. If desired, contrast may be increased. I would begin by utilizing the monochromatic mode on your camera. Most cameras feature a scene or profile mode for black-and-white photography. This will provide fast feedback on your LCD screen and is a fantastic method to begin shooting black-and-white photographs that do not require blue sky and sunshine.

Be innovative

Mohit Bansal Chandigarh

If you frequently photograph the same locations and scenes as everyone else, it’s possible that your photographs will be identical. So how can you distinguish your photographs? Creativity is the only thing that will make your photograph stand out besides appropriate exposure and ensuring that it is clear and blurred in all the right spots. Instead of just photographing the environment in front of you, consider methods to create a story or give a unique visual experience. Numerous professional landscape and casual photographers employ a variation of these themes to distinguish their work.


Gray days should not squelch your desire to shoot. There is still a vast universe out there asking to be viewed in a fresh light, even on the dullest of days, when it takes some people more incentive to snap images. Don’t miss your opportunity! Feel free to let Mohit Bansal Chandigarh how else have you discovered to explore light also photography on a cloudy day?

By Mohit Bansal

Mohit Bansal Chandigarh is a keen photographer and traveller. It's hard to say whether he travels to click photos or he click photos so he can travel.

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